Samplitude professional 8.0 free download

While extreme settings do begin to drift into distortion, it's generally the right kind of distortion: edgy without being fuzzy, and quite musical. Ampulse transient modeller.

The Ampulse transient-modelling plug-in is the less complicated of the two, and quite easy to use. The front panel is divided into two main sections, marked Attack and Sustain. Each of these features a linked stereo pair of level sliders, which can be unlinked and adjusted separately, and a Length slider. The level sliders are used to control the amount of amplification or gain reduction applied to the signal, while Length controls the amount of time each phase of a transient ie.

This is much easier to understand in practice than it is to describe. Basically, Ampulse can be used to 'reshape' active, dynamic sounds such as drums, percussion or staccato guitar parts. If, for example, a drum track features excessive room ambience, you can use Ampulse to 'tune it out', creating a dryer, punchier, more 'up front' sound.

Conversely, it's possible to soften the attack characteristics of a sound while emphasising the 'air', in order to push a track into the background a bit. In keeping with the analogue modelling theme, Ampulse also features a Saturation knob, which can be used to introduce a degree of tube-flavoured overdrive into the proceedings, and a pair of 'HF Details' controls labelled Tune and Level.

These allow you to boost or emphasise higher frequencies 1kHzkHz in the sound, as a kind of enhancer effect. Ampulse can be used quite subtly, but can also produce some fairly dirty sounds, which I really enjoyed. Drum tracks in particular can be squashed and mangled into various interesting new shapes, with the HF Details controls adding some pleasing grit. Samplitude provides full Red Book CD-authoring facilities without requiring any external software, and even allows CDs to burned 'on the fly', with all effects and mix automation calculated in real time.

This has the advantage of not requiring you to devote extra disk space to rendering a stereo mixdown file. However, it does require a fast machine to work reliably. I burnt half a dozen CDs in the course of testing Samplitude, and while most were fine, one did suffer from some hiccoughs and glitches, requiring me to bounce down to a stereo file and burn in the conventional way.

It's now also possible to burn DVD-Audio discs. These are so-called 'black discs' with no graphical menu, but basic track markers. Both and bit audio can be written to DVDs, at sample rates of Up to six channels are supported for Dolby 5. Like the Analogue Modelling Suite, it's restricted to running within Samplitude, and cannot be accessed by other VST host applications. Robota Pro is eight-voice polyphonic, with a built-in eight-track, step sequencer. Each of its eight 'instruments' is generated by an identical oscillator section, which can produce sine, triangle and sawtooth tones, and can load WAV-format samples.

Each oscillator also features a noise generator, which can either be blended with the oscillator output, or used as a pitch modulation source. The Noise knob controls the frequency of the noise generator, with low settings producing 'sample and hold'-style effects. For each oscillator there's also a simple amp envelope with Attack and Decay controls, which can be used to modulate the oscillator pitch.

This simple-but-effective arrangement of modules allows Robota Pro to generate a wide variety of 'analogue' blips, pings and similar noises, along with some quite convincing TR and TR drum-machine emulations. The Robota Pro drum machine is new in version 8 of Samplitude. Further sound-generation possibilities are provided, for each oscillator, by frequency and ring-modulation effects, a digital 'lo fi' effect, a multi-mode resonant filter offering low-pass, band-pass, high-pass and comb options with its own modulation envelope, and an output stage featuring a simple compressor and a 'tube' overdrive effect.

Robota Pro presents itself as a kind of software 'groovebox', and as such it's impressive. It can be controlled either by its own internal step sequencer the preferred method, to my mind , or triggered via MIDI. It offers various groove templates, affecting both phrasing and velocity. Its sounds are fat, solid and altogether convincing. It's very much a specialised drum and percussion synth, which doesn't try to do a lot else, but it works well, and is great fun to use.

Loading your own custom samples into Robota Pro 's oscillators isn't quite as easy as it might be: you have to prepare and edit your samples in advance, then save them in the Samples folder within Robota Pro 's own plug-in folder. They will then be found next time the instrument is started. Robota Pro 's effects and modulation functions allow your custom samples to be rapidly mangled beyond all recognition, and some great noisy, 'industrial' effects are possible.

Samplitude Professional 8 offers a range of facilities for mixing in various surround sound formats including 5. Surround settings can be made per mixer channel, or per Object. The Surround Panorama Module allows individual sounds to be positioned within the sound field via a graphical interface, in one of several modes.

Surround panning can be recorded and automated in much the same way as ordinary stereo panning. Most of Samplitude 's built-in effects, including the Room Simulator convolution reverb, can be used in Surround mode, and function more or less as they would in stereo, but supporting a maximum of 12 simultaneous channels.

Another impressive new feature in Samplitude Professional 8 is what's called the Elastic Audio editor. In essence, this provides a fully automated real-time implementation of the same non-destructive pitch-shifting processes available via the Object Editor dialogue.

Elastic Audio works in one of two modes. In Relative mode, complex control curves can be drawn, which dynamically affect pitch-shifting throughout the duration of an Object. This is simple, but very effective.

The Elastic Audio editor offers real-time pitch-shifting, with the option of Auto-Tune-style pitch detection. The large Elastic Audio editor window, with its freehand, quantised and curve-drawing tools, allows for extremely precise control over pitch, moment by moment. With careful choice of the right pitch-shift algorithm, it's possible to perform very natural-sounding pitch corrections quite easily. Equally, with less careful use, some mind-bending special effects can be created. Direct mode is a bit different, and relies upon automatic pitch detection.

In Direct mode, the left-hand edge of the Elastic Audio window is calibrated with a 'piano keyboard' semitone map. PerformanceOf course, what everyone wants to know is how the car performs, and magix samplitude professional v8.

Weighing in with over The spoilers, both front and rear, have also been redesigned, and now look like they magix samplitude professional v8. You are commenting using your WordPress. You are commenting using your Google account. You are commenting using your Twitter account. You are commenting using your Facebook account. Notify me of new comments via email. Record your own songs! The recording area allows you to arrange large projects easily.

The perfect mixdown — add the finishing touches to your songs. Equalizers, compressors and limiters can be easily applied in the Mastering area.